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AMM III (Keith Rowe+Eddie Prevost) - It had been an ordinary enough day in Pueblo, Colorado

Жанр: Free Improvisation, Noise, Experimental
Страна-производитель диска: Germany
Год издания диска: 1980
Издатель (лейбл): JAPO / ECM Records
Номер по каталогу: JAPO 60031
Страна: Germany
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 47:31
Источник (релизер): собственный рип с оригинального диска
Наличие сканов в содержимом раздачи: да
Треклист:
01. Radio activity (18.20)
02. Convergence (05.15)
03. Kline (08.26)
04. Spittlefields' slide (06.50)
05. For A (08.27)
Код:
Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 18. October 2010, 17:39
AMM III / It had been an ordinary enough day in Pueblo, Colorado
Used drive  : TSSTcorpCDDVDW SH-S222A   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\tool\Audio\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 | 18:22.13 |        32    |    82694
        2  | 18:22.45 |  5:19.12 |     82695    |   106631
        3  | 23:41.57 |  8:30.00 |    106632    |   144881
        4  | 32:11.57 |  6:53.13 |    144882    |   175869
        5  | 39:04.70 |  8:27.62 |    175870    |   213956
Track  1
     Filename C:\! RUTRACKER\ru up\AMM III - It had been an ordinary\01 - Radio Activity.wav
     Pre-gap length  0:00:02.32
     Peak level 79.8 %
     Track quality 100.0 %
     Test CRC 7E9D1941
     Copy CRC 7E9D1941
     Track not present in AccurateRip database
     Copy OK
Track  2
     Filename C:\! RUTRACKER\ru up\AMM III - It had been an ordinary\02 - Convergence.wav
     Pre-gap length  0:00:01.63
     Peak level 65.4 %
     Track quality 100.0 %
     Test CRC 0D5F2952
     Copy CRC 0D5F2952
     Track not present in AccurateRip database
     Copy OK
Track  3
     Filename C:\! RUTRACKER\ru up\AMM III - It had been an ordinary\03 - Kline.wav
     Pre-gap length  0:00:04.00
     Peak level 71.9 %
     Track quality 100.0 %
     Test CRC 778810E2
     Copy CRC 778810E2
     Track not present in AccurateRip database
     Copy OK
Track  4
     Filename C:\! RUTRACKER\ru up\AMM III - It had been an ordinary\04 - Spittlefields' Slide.wav
     Pre-gap length  0:00:03.25
     Peak level 81.0 %
     Track quality 100.0 %
     Test CRC 420A2164
     Copy CRC 420A2164
     Track not present in AccurateRip database
     Copy OK
Track  5
     Filename C:\! RUTRACKER\ru up\AMM III - It had been an ordinary\05 - For A.wav
     Pre-gap length  0:00:03.13
     Peak level 74.4 %
     Track quality 100.0 %
     Test CRC 46BF8A4C
     Copy CRC 46BF8A4C
     Track not present in AccurateRip database
     Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
Код:
REM GENRE "Avant Garde"
REM DATE 1979
REM DISCID 310B2405
REM COMMENT "ExactAudioCopy v0.99pb5"
CATALOG 0042284320627
PERFORMER "AMM III"
TITLE "It had been an ordinary enough day in Pueblo, Colorado"
FILE "01 - Radio Activity.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Radio Activity"
    PERFORMER "AMM III"
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Convergence"
    PERFORMER "AMM III"
    INDEX 00 18:20:25
FILE "02 - Convergence.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Kline"
    PERFORMER "AMM III"
    INDEX 00 05:15:12
FILE "03 - Kline.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Spittlefields' Slide"
    PERFORMER "AMM III"
    INDEX 00 08:26:50
FILE "04 - Spittlefields' Slide.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "For A"
    PERFORMER "AMM III"
    INDEX 00 06:50:00
FILE "05 - For A.wav" WAVE
    INDEX 01 00:00:00
Доп. информация:
Recorded in December 1979 at Tonstudio Bauer, Ludwigsburg.
Engineer: Martin Wieland
AMM was established in 1965 by Rowe, percussionist Eddie Prévost and saxophonist Lou Gare, also a member of the Westbrook Orchesra at the same time. The following year they were joined by bassist Lawrence Sheaff and, at Rowe's suggestion, Cornelius Cardew. Ansell quotes Rowe: 'AMM was able to provide the conditions in which I could supercede what I saw as the oppressive legacy that the 1960s guitar imposed on me as a player. AMM were involved in what we referred to as a "communal search for sound" and that enabled me to develop various preparations for the guitar and a fresh approach to the instrument'.
Around 1976 the first moves in a rapprochement occurred between the members of AMM which resulted in Rowe and Prévost working together as a duo for a year - and recording in 1979, as AMM III, It had been an ordinary enough day in Pueblo, Colorado - until John Tilbury joined the group in 1980. This group, along with occasional groupings such as Supersession and solo performances (e.g. A dimension of perfectly ordinary reality and City music for electric guitar) remained the focus of Rowe's work for over a decade.
This incarnation of the influential British free improvisation ensemble is a curious standout in their repertoire of highly experimental music, most notably because of its directly musical techniques and almost fusion approach that is peculiar for a group usually associated with the highest degrees of avant-garde abstraction. This recording is a duo formation of the group's founding members -- guitarist Keith Rowe and percussionist Eddie Prevost -- who went into the studio under the commission of ECM offshoot Japo to explore a sound they called "meta-music." The results are a highly electric free-form session which sees Keith Rowe playing at moments in an almost conventional manner. The guitarist is known as a groundbreaking experimentalist who uses the instrument solely for generating noise and texture through any number of preparations and extended techniques. That is to say that this album is quite possibly the only time in his recording career that he can be heard playing notes on the fret-board of the instrument -- usually scraping the strings with metal objects, bows, and small electric fans. Percussionist Eddie Prevost plays incredibly well in his distinctive un-metered textural approach -- often the duo's interplay makes the music so homogenic it's hard to identify the source of the sound. Highly challenging and invigorating music from this stridently avant-garde group.
Keith Rowe - guitar, prepared guitar, transistor radio
Eddie Prévost - drums
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